Antique Mason Ceramics
There are lots that match your search criteria. Subscribe now to get instant access to the full price guide service. Pair Masons pottery cylindrical vases, willow pattern, sundry meat dishes and other blue and white printed tableware. A collection of Masons ironstone wares including an Applique pattern jug and basin of octagonal form, jug height 14cm approx, three graduated 19th century octagonal jugs, two graduated Mandalay pattern jugs, a matching ginger jar and cover, a pair of matching vases, etc, and a miniature jug and basin set, jug height 7cm approx Three 19th century Staffordshire spaniels with white glaze, a pair of Royal Doulton reproduction Staffordshire spaniels and one further spaniel, a pair of Masons Mandalay pattern vases, a quantity of various toby and character jugs, royal commemorative wares including three graduated jugs commemorating the coronation of King Edward VIII, etc, together with a three branch faceted glass candelabra, etc collection. A collection of 19th century ceramics including a Masons ironstone jug with chinoiserie floral decoration, 26cm tall, further decorative jugs including souvenir examples, a collection of late 19th century child’s tea wares including coffee pot, milk jug, covered sucrier, six cups and six saucers, etc collection. Ceramics to include; a pair of early 19th century Derby figures of a shepherd and shepherdess, a Wedgwood green Jasperware jardiniere, a Masons Ironstone plate, a modern Chinese dish and beaker, 6. A Masons ‘Fruit basket’ part dinner service, including coffee pot and toast rack, amongst many other items. An assortment of vintage and retro ceramics, includes Poole pottery, Masons, and similar studio pieces. Early 19th century Pratt type money box, modelled with two figures stood outside a house, H
The curious history of the kitchen mixing bowl
Patented by Charles Mason of Staffordshire, England, this simple tableware—once known as the “poor man’s porcelain”—hit American tables in the s. Here’s the dish on the essential pieces for a stunning whiteware collection. Originally used in washrooms, ironstone pitchers vary in design from plain to fanciful. While ornate pieces are popular, it’s the early, unadorned styles collectors covet. Look for finds with a hexagonal or octagonal shape and a bluish tint.
Later pieces are creamier in color.
The English pottery firm of Mason Cash has produced neighboring Derbyshire was home to a number of potteries dating to the 18th century.
Soup plate of earthenware transfer-printed in blue. Printed with a Japanese pattern of shaped compartments enclosing birds, lions, flowering plants and chrysanthemum rosettes. Please confirm you are using these images within the following terms and conditions , by acknowledging each of the following key points:. Non commercial use only.
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Q: I bought two bowls at a Marin County antiques shop. The way they nest I think it was a set of three originally. Does this lessen the value? Like the better-known Staffordshire, neighboring Derbyshire was home to a number of potteries dating to the 18th century.
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The Collector’s Guide to Ironstone Pottery
John Mason. Mason, along with Voulkos and other west coast artists, blurred the boundaries between traditional ceramics and sculpture in the s and 60s. Mason’s abstract works reflect the spirit of experimentation and aggressiveness embodied by the earlier Abstract Expressionist painters, such as Jackson Pollock, Willem de Kooning, and Hans Hofmann.
This particular piece appears to be part of a series of sculptures that were based on the ancient form of the cross, though Mason denied any religious connotation. His crosses were often deconstructions, turned on their edges or featuring double or triple horizontal bars. The work also reflects Mason’s interest in and experimentation with colored glazes.
Jun 4, – & Co Ltd Pottery – Church Gresley Archives. likes. The archives of Church Gresley pottery & Co Ltd –
To browse Academia. Skip to main content. Log In Sign Up. Add Social Profiles Facebook, Twitter, etc. Unfollow Follow Unblock. Persian Pottery in the First Global Age more. Persian Pottery in the First Global Age: the Sixteenth and Seventeeth Centuries studies the ceramic industry of Iran in the Safavid period — and the impact which the influx of Chinese blue-and-white porcelain, heightened by the
This ceramic collection traces the involvement of Miles Mason, the founder of Mason’s Ironstone China, and his successors, in the production of ceramics in Staffordshire. Miles Mason married an heiress; the daughter of Richard Farrar who had established a successful retail business selling imported Oriental porcelain at , Fenchurch St. Mason continued this business, but after , when the East India Company ceased the bulk importation of Oriental porcelain, he began to manufacture his own wares.
The ceramic ventures were terminated in and by Mason had relinquished his retail business.
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A few more unknowns from the archives: 90 Platter marked BW 97 91 I Narelle here and new to this or any other online group – although I do He has also coached rowing, rugby, and more recently basketball and volleyball at Scotch. When he was at teachers college in he took a pottery elective and that was where his passion for clay began. During that period he rediscovered his interest in the Raku firing process. In , he completed an Applied Arts Degree at Monash with a ceramics major.
More recently Mark has started to explore a different firing technique — naked Raku — which is characterised by strong ghostly crackle patterns being transferred to a burnished clay surface through a glaze mask applied over a barrier layer of slip.
Share best practices, tips, and insights. Meet other eBay community members who share your passions. I am hoping to get some help with dating this plate. A lot of info on dating pre but not much there afer except for the factory marks. So I have dated this to after but before or one site says they added “made in” in and another in
When he was at teachers college in he took a pottery elective and that was where his Works are incised ‘MASON’ and the year date.
Under-glaze, transfer printed blue and white ware was, and still is, a staple product of the UK pottery industry. The pattern has a fascinating history. Its origins, however are even older and tradition has it that the pattern was brought to Europe from China or Japan at some time in the late 18 th Century. Frantz Heinrich Muller first produced the pattern at his pottery in Copenhagen at some time between and After establishing his pottery he travelled to Germany and recruited skilled workers from the Meissen factories.
Muller was a chemist and his contribution may have been the development of the characteristic ultramarine blue used on the wares. On close examination the pattern consists of a repeating pattern of mussels and stylized flowers traditionally in an under-glaze blue on a white background. The pattern is complex, but not over-elaborate and sits crisply on any pure white background.
To quote from the Pottery Gazette —. It seems somehow to typify the typical Danish love of hygiene in food preparation and service, this quality being self-expressed in terms of coolness.
Two more confusing new marks have been found on reproductions of 19th century ceramics. The new marks are applied in dark blue transfer. ACRN found the crown mark on biscuit jars decorated in Mason’s “Japan” style decoration and the ribbon mark on a toast rack with chintz styled decoration.
Title, Rex Mason in group photo at pottery exhibit. Creator, [unknown]. Date Created, Extent, 9 x 12 cm. Subject, Pottery. Person Or Corporation, Mason.
Over the past hundred years or so, almost every object in the domestic kitchen has been adapted to changing needs and fashions of society. But there is one object that is almost unchanged since it was first made over a century ago. Not just any mixing bowl — but THE mixing bowl, the one that almost every house in the country has. The one that appears on every cookery programme and in every photograph of a modern kitchen.
Yes, that generic mixing bowl in a familiar cream colour with a bit of a pattern around the outside that almost everyone owns is not just some random object churned out in their millions in some dusty part of China, but is a year old design classic, and is still made by the same English pottery company.
Although the company itself still has factories in England, sadly production of the mixing bowls themselves moved to an unnamed Western European country recently and over the years different people have owned the company — but wonderfully, it is still the same firm, and the same unchanged mixing bowl design. For a company that has been around for years , and has managed to infiltrate practically every kitchen in the land, it has proven surprisingly difficult to find out much about.
Not much changed for another hundred years until the company was sold in , and again in to its current owners, The Rayware Group. The company has struggled at times, and the only newspaper report I could find was in The Times in October , when the company was facing a sharp decline in sales and called in a marketing expert to help. I looked in some shops, and those that sold mixing bowls, only sold Mason Cash bowls — not just the big classic mixing bowl, but often pudding bowls — and the company is almost as famous for its pet bowls.
Have a look in your kitchen — if there is a earthenware mixing bowl in there, the chances are that on the bottom will be stamped the name of Mason Cash. But had you ever opened a cupboard and thought — ahh, the Mason Cash bowl? So, here is a company that has somehow managed to carry on producing an overtly basic product — the earthenware bowl, with minimal branding and yet defied all the conventional thinking you would learn in a modern business school.
And yet, somehow, the branding is there, in collective memories of children licking the cake mix out of the bowl when mum was baking.
Persian Pottery in the First Global Age
Ironstone china , ironstone ware or most commonly just ironstone , is a type of vitreous pottery first made in the United Kingdom in the early 19th century. It is often classed as earthenware   although in appearance and properties it is similar to fine stoneware. There is no iron in ironstone; its name is derived from its notable strength and durability.
Ironstone in Britain’s Staffordshire potteries was closely associated with the company founded by Charles James Mason following his patent of ,   with the name subsequently becoming generic.
Designer: John Mason (American, –). Date: Medium: Stoneware, paint. Dimensions: Classification: Ceramics-Pottery. Credit Line: Gift of Linda.
Factory Marks. I began. Its decorative quality and naive charm are admired by all. Many of the designs and colours. Imperfections such as paint runs,handles askew, all add to. The vast array of patterns and shapes never fail to excite the imagination,. All producing Ironstone-type wares in competition with Mason’s and in some.
New marks on retailers, colleges, regiments and armorial are constantly. Ceramic ware produced between and bore a diamond-shaped registry mark. The date recorded indicated when the design was introduced but not necessarily when. Index to Year and Month Letters. Year Letter at Top. Year Letter at Right.
Mason’s Ironstone China (England) other items
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This ceramic collection traces the involvement of Miles Mason, the founder of Mason’s Ironstone China, and his successors, in the production of ceramics in.
These items are not for sale and the descriptions, images and prices are for reference purposes only. You can reduce the number of items displayed by entering a keyword that must be included in the description of the item. A similar pair of large Mason’s Ironstone Imari tankards, 19th century, circa , each of generous proportions, decorated in Japanese Imari inspired patterns, flanked by a dolphin handle.
Impressed marks to base. Each 14 cm high, A pair of Mason’s Ironstone Oriental style vases, early 20th century, post mark, of ovoid form, one yellow, the other orange, with identical decoration…. Early Masons ironstone ‘Imari’ pattern plate c Vintage Masons ‘Applique’ ceramic vase iron red and cobalt blue floral decoration, height